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- <text id=93TT2226>
- <title>
- Sep. 13, 1993: Reviews:Music
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1993
- Sep. 13, 1993 Leap Of Faith
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- REVIEWS, Page 80
- Music
- Trying to Put It Together
- </hdr>
- <body>
- <p>By CHRISTOPHER JOHN FARLEY
- </p>
- <qt>
- <l>PERFORMER: Garth Brooks</l>
- <l>ALBUM: In Pieces</l>
- <l>LABEL: Liberty</l>
- </qt>
- <p> THE BOTTOM LINE: A high-spirited rock-'n'-roll country album
- is tainted by a mean-spirited swipe at the underclass.
- </p>
- <p> In his own indecisive way, Garth Brooks has become a sort of
- Ross Perot of country music. First he suggests he may quit performing.
- Then he says he's back in. Now, on his new album, In Pieces,
- Brooks has made one of his worst decisions by recording a misguided
- anthem titled American Honky-Tonk Bar Association. In this song,
- over a beat as rambunctious as a mechanical bull, this most
- favored of country stylists asks listeners to join with the
- "hardhat, gunrack, achin'-back, over-taxed, flag-wavin' fun-lovin'
- crowd," especially if they're upset when their "dollar goes
- to all of those standing in a welfare line."
- </p>
- <p> Exactly what this country needs: a millionaire singing cowboy
- dropping stray lines that castigate folks on public assistance.
- Celebrating yahoos and their gunracks is a tasteless idea, conjuring
- up images of class warfare, and the usually savvy Brooks should
- know better. What led this otherwise appealing country singer
- into such a display of musical demagoguery can only confound
- his fans.
- </p>
- <p> American Honky-Tonk Bar Association is all the more unfortunate
- since the rest of this album is so well conceived and executed,
- covering country, blues and full-out rock. Standing Outside
- the Fire, a song about living life to the fullest, begins with
- a catchy guitar riff that would be at home on many noncountry
- pop albums. "Life is not tried it is merely survived/ If you're
- standing outside the fire," sings Brooks over a percussion break
- that sounds nearly African. In concerts and in interviews, Brooks
- is an intense, full-throttle performer, and the song manages
- to captures this bustling energy. The Night I Called the Old
- Man Out has the album's best lyrics, telling the story of a
- troubled family in which each son, when he comes of age, fights
- his father in a rite of passage: "The blood came from my mouth
- and nose/ But the tears came from [Dad's] eyes."
- </p>
- <p> Other songs also demonstrate Brooks' impressive range. Ain't
- Going Down (Til the Sun Comes Up) is a country-rock romp about
- a daughter out past curfew; One Night a Day starts with some
- Billy Joel-like piano stroking and later fades into a soulful
- saxophone solo. But through all this, it's hard to forget Brooks'
- cheap shot at people "standing in a welfare line."
- </p>
- <p> This from the guy who had a hit song called Friends in Low Places
- and who on his previous album, The Chase, sang, "When the last
- child cries for a crust of bread...When there's shelter
- over the poorest head/ We shall be free." In Pieces is well
- named; only parts of this album are up to Brooks' fine standard.
- </p>
-
- </body>
- </article>
- </text>
-
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